Biography
Jun Yan (Malaysia) started his composition studies with Mr. Yii Kah Hoe. He graduated with First Class Honours in the Yong Siew Toh Conservatory of Music (YSTCM), Singapore and was studying under Professor Ho Chee Kong, Head of Composition Faculty and Computer Music under Professor Steven Miller. Jun Yan won the 2nd Prize for the Malaysia Modern Poem Composition Competition 2015, Winner of Society of Malaysia Contemporary Composer’s “Call for Score – Organ solo” 2013, and the 3rd Prize for the category B in the Singapore International Competition for Chinese Music Composition 2012. Besides that he was also acclaimed as one of the finalists in the Eighth Thailand International Composer Festival (2012), Young Composer in Southeast Asia Competition and Festival 2011, Kuala Lumpur Contemporary Music Festival (KLCMF) 2009 and Malaysia’s inaugural HSBC Classics Festival Young Composer Workshop 2008. Furthermore, he had his student exchange program in Peobody Conservatory of Music, where he studied under Dr. Oscar Bettison and attended master classes with Chaya Czernowin, Liza Lim, Hans Thomalla, Mark Andre, Manos Tsangaris and Yuval Shaked. Jun Yan has also attended private composition lessons with Mr. Chong Kee Yong in the past few years.
Besides that, Jun Yan started to explore in computer music since 2010 by his first live electronic piece collaborate with Erhu improvisation which premiered in Peabody Conservatory of Music. Then he continue to explore in electronic music and composed “Abstraction”, an improvisation piece without music notation score with live processing via MaxMSP on 8 channels sound system and S-Box 4, 4 handmade electronic circuits with 8 channels sound system at year 2011. Furthermore, he has organised his senior recital with a 50 minutes piece, Back to Nature, a piece with live improvisation with live processing. The instruments that have been used including flute, piccolo, clarinet, bass clarinet, percussion, violin, cello and double bass.
He continued his art exploration by extending to interdisciplinary art where he composed “Strolling” for flute, percussion and Chinese calligraphy at year 2013, and followed by organising “Hearing Visual Looking Sound”, sound-visual improvisation performance at year 2015, by inviting musician and visual artist to have live collaboration within their native discipline.
Jun Yan is currently doing his PhD studies in National University of Singapore under Professor Lonce Wyse, focusing on cross-collaboration interactive between music and visual arts.
简介
赵俊彦启蒙老师为余家和老师,2012年在新加坡杨秀桃音乐学院荣获一级荣誉毕业生,主修作曲,师从作曲主任何志光博士以及电脑作曲,Prof. Steven Miller。在这期间,俊彦的作品“Di Atas Padang Sejarah” 荣获2015诗人节“韵诗乐意”现代诗谱曲比赛亚军、“Moonlit Night”荣获 2013马来西亚现代作曲协会(The Society of Malaysian Contemporary Composers)举办的风琴独奏比赛优胜,并由Mr. Marco Bidin 在意大利的Incontri音乐节世界首演,以及“宁II”荣获新加坡国际华乐室内乐作曲比赛2012,组别B的第三名。除此之外,他的作品也曾入围马来西亚HSBC年轻作曲家作曲比赛决赛(2008),吉隆坡现代作曲音乐节决赛(2009),东南亚年轻作曲家音乐节决赛 (2011)以及泰国第八届作曲音乐节决赛(2012)。俊彦曾获得德国歌德学院(Geothe-Institute)赞助出席2010年达姆施塔特(Darmstadt)现代音乐节以及在2010年获得去美国皮博迪音乐学院(Peabody Conservatory of Music)的交换生资格,在美学习一个学期,师从 Dr. Oscar Bettison。俊彦也曾经跟随钟启荣老师学习作曲以及跟Chaya Czernowin, Liza Lim, Hans Thomalla, Mark Andre, Manos Tsangaris, Yuval Shaked等等上过大师班。
生长在多元种族的马来西亚开阔了俊彦的创作思维。 虽然在校学习的是西方音乐的乐理和手法,可是这并没有让他局限自己,反而更加想要通过不同的结合来呈现他的音乐,例如作品“宁 I” 就结合了西洋乐器与佳美兰(gamelan)乐器来表达人在寻求内心宁静前的自我挣扎与渴望。2010年,俊彦开始接触电子音乐以及对即兴表演产生了浓厚的兴趣,在校期间,他的创作方向集中与结合乐器和电子音乐的即兴互动,曲子包括“Erhu Max” 、“Abstraction”以及“S-Box 4”等等,其中最大的作品是他的学士毕业作品 -“Back to Nature”,一首长达50分钟的即兴作品。
毕业后,他继续探索跨界艺术表演,其中包括2013年与书法结合的现场互动表演“Strolling”、2015年在吉隆坡Space Toccata和2016年在曼谷Bangkok Art & Culture Centre举办的“Hearing Visual, Looking Sound” 音影即兴演出,以及2016新加坡SETTS #3的跨界表演。
俊彦目前在新加坡国立大学攻读博士学位,师从Prof. Lonce Wyse,研究的课题是乐手和视觉艺术家如何在现场即兴表演沟通与交流(Exploring Co-performer Communication in Sound-Visual Improvisatory Performance)。
Jun Yan (Malaysia) started his composition studies with Mr. Yii Kah Hoe. He graduated with First Class Honours in the Yong Siew Toh Conservatory of Music (YSTCM), Singapore and was studying under Professor Ho Chee Kong, Head of Composition Faculty and Computer Music under Professor Steven Miller. Jun Yan won the 2nd Prize for the Malaysia Modern Poem Composition Competition 2015, Winner of Society of Malaysia Contemporary Composer’s “Call for Score – Organ solo” 2013, and the 3rd Prize for the category B in the Singapore International Competition for Chinese Music Composition 2012. Besides that he was also acclaimed as one of the finalists in the Eighth Thailand International Composer Festival (2012), Young Composer in Southeast Asia Competition and Festival 2011, Kuala Lumpur Contemporary Music Festival (KLCMF) 2009 and Malaysia’s inaugural HSBC Classics Festival Young Composer Workshop 2008. Furthermore, he had his student exchange program in Peobody Conservatory of Music, where he studied under Dr. Oscar Bettison and attended master classes with Chaya Czernowin, Liza Lim, Hans Thomalla, Mark Andre, Manos Tsangaris and Yuval Shaked. Jun Yan has also attended private composition lessons with Mr. Chong Kee Yong in the past few years.
Besides that, Jun Yan started to explore in computer music since 2010 by his first live electronic piece collaborate with Erhu improvisation which premiered in Peabody Conservatory of Music. Then he continue to explore in electronic music and composed “Abstraction”, an improvisation piece without music notation score with live processing via MaxMSP on 8 channels sound system and S-Box 4, 4 handmade electronic circuits with 8 channels sound system at year 2011. Furthermore, he has organised his senior recital with a 50 minutes piece, Back to Nature, a piece with live improvisation with live processing. The instruments that have been used including flute, piccolo, clarinet, bass clarinet, percussion, violin, cello and double bass.
He continued his art exploration by extending to interdisciplinary art where he composed “Strolling” for flute, percussion and Chinese calligraphy at year 2013, and followed by organising “Hearing Visual Looking Sound”, sound-visual improvisation performance at year 2015, by inviting musician and visual artist to have live collaboration within their native discipline.
Jun Yan is currently doing his PhD studies in National University of Singapore under Professor Lonce Wyse, focusing on cross-collaboration interactive between music and visual arts.
简介
赵俊彦启蒙老师为余家和老师,2012年在新加坡杨秀桃音乐学院荣获一级荣誉毕业生,主修作曲,师从作曲主任何志光博士以及电脑作曲,Prof. Steven Miller。在这期间,俊彦的作品“Di Atas Padang Sejarah” 荣获2015诗人节“韵诗乐意”现代诗谱曲比赛亚军、“Moonlit Night”荣获 2013马来西亚现代作曲协会(The Society of Malaysian Contemporary Composers)举办的风琴独奏比赛优胜,并由Mr. Marco Bidin 在意大利的Incontri音乐节世界首演,以及“宁II”荣获新加坡国际华乐室内乐作曲比赛2012,组别B的第三名。除此之外,他的作品也曾入围马来西亚HSBC年轻作曲家作曲比赛决赛(2008),吉隆坡现代作曲音乐节决赛(2009),东南亚年轻作曲家音乐节决赛 (2011)以及泰国第八届作曲音乐节决赛(2012)。俊彦曾获得德国歌德学院(Geothe-Institute)赞助出席2010年达姆施塔特(Darmstadt)现代音乐节以及在2010年获得去美国皮博迪音乐学院(Peabody Conservatory of Music)的交换生资格,在美学习一个学期,师从 Dr. Oscar Bettison。俊彦也曾经跟随钟启荣老师学习作曲以及跟Chaya Czernowin, Liza Lim, Hans Thomalla, Mark Andre, Manos Tsangaris, Yuval Shaked等等上过大师班。
生长在多元种族的马来西亚开阔了俊彦的创作思维。 虽然在校学习的是西方音乐的乐理和手法,可是这并没有让他局限自己,反而更加想要通过不同的结合来呈现他的音乐,例如作品“宁 I” 就结合了西洋乐器与佳美兰(gamelan)乐器来表达人在寻求内心宁静前的自我挣扎与渴望。2010年,俊彦开始接触电子音乐以及对即兴表演产生了浓厚的兴趣,在校期间,他的创作方向集中与结合乐器和电子音乐的即兴互动,曲子包括“Erhu Max” 、“Abstraction”以及“S-Box 4”等等,其中最大的作品是他的学士毕业作品 -“Back to Nature”,一首长达50分钟的即兴作品。
毕业后,他继续探索跨界艺术表演,其中包括2013年与书法结合的现场互动表演“Strolling”、2015年在吉隆坡Space Toccata和2016年在曼谷Bangkok Art & Culture Centre举办的“Hearing Visual, Looking Sound” 音影即兴演出,以及2016新加坡SETTS #3的跨界表演。
俊彦目前在新加坡国立大学攻读博士学位,师从Prof. Lonce Wyse,研究的课题是乐手和视觉艺术家如何在现场即兴表演沟通与交流(Exploring Co-performer Communication in Sound-Visual Improvisatory Performance)。